Backman's most structurally ambitious novel yet follows a painting across two timelines and the friendship that made it real. Our panel argued about the ending for a week.
Why You Should Trust This
Honest Picks Guide buys every product it reviews at full retail price — no manufacturer samples, no sponsored placements. This review comes from a twelve-person reading panel, not a single opinion; see How We Test for our full methodology and Claire Whitmore's author page for her background.
We don't rank fiction by sales figures or awards buzz alone — those tell you what other people liked, not whether a book earns its length. Every title on this list was read in full by at least two panelists, independently, before we compared notes. Some of these will show up on every other list this year. A couple of them, we had to talk each other into finishing, and ended up glad we did.
How We Compiled This List
We started from roughly twenty candidates — a mix of award-recognized titles, reader-recommended picks, and books our panel had already independently flagged as standouts. Each finalist was read by at least two panelists, who scored it independently on prose quality, pacing, and whether the ending justified the setup before we averaged and discussed. Ties were broken by a full-panel discussion, not a coin flip.
1. My Friends — Fredrik Backman
Backman's most structurally ambitious novel, following a painting across two timelines and the friendship that made it. Slower to build than his shorter books, but the widest emotional range he's written. Full review: My Friends by Fredrik Backman.
My Friends
Fredrik Backman
A dual-timeline novel about friendship, art, and what outlives the people who make it.
2. The Emperor of Gladness — Ocean Vuong
Vuong's second novel trades the direct-address intimacy of his debut for a wider, slower, more populated story about an unlikely caregiving friendship. The best sentence-level prose on this list, by a clear margin. Full review: The Emperor of Gladness.
3. James — Percival Everett
A retelling of "Adventures of Huckleberry Finn" from Jim's perspective, structurally daring and unsparing about what the original story left out. Two panelists called it the best book they read all year, full stop — not just on this list.
James
Percival Everett
A structurally daring retelling that reclaims a canonical American novel's most overlooked character.
4. Intermezzo — Sally Rooney
Rooney's most emotionally generous novel, following two brothers grieving their father on very different timelines. Less claustrophobic than "Normal People," with more room for the reader to like more than one character at once.
5. Wild Dark Shore — Charlotte McConaghy
A family isolated on a remote seed-vault island, and the stranger who washes ashore and unravels what they've been quietly hiding from each other. The most propulsive, plot-forward pick on this list if the slower literary picks above aren't what you're after.
How to Choose Between These Five
If you want prose you'll stop and re-read mid-sentence, start with "The Emperor of Gladness" or "James." If you want a book that will make you cry on a train and you're at peace with that, "My Friends." If you want family drama with real tension between siblings rather than a single protagonist's inner monologue, "Intermezzo." And if literary fiction usually feels too slow for you, "Wild Dark Shore" is the one on this list built like a thriller underneath.
Prefer plot over prose entirely? Our Best Thriller and Crime Novels of 2026 list is built for exactly that reader.
What We Left Off This List, and Why
Several strong 2025 and 2026 releases didn't make the final five, and it's worth explaining why rather than pretending they don't exist. A handful of well-reviewed debuts were excluded not for quality but for consistency — our panel needs at least two independent readers to finish a book before it's eligible, and a few candidates simply hadn't been read by enough of us yet by the time this list went up. We'd rather publish five books we can genuinely stand behind than fifteen we've only half-vetted, and we'll update this list as the rest of the year's field gets read.
We also deliberately avoided stacking the list with a single genre wearing a literary-fiction label — it would have been easy to fill this with five variations on quiet, sad, beautifully-written domestic novels, since that's a huge share of what gets published and praised in a given year. Instead we tried to represent the real range of what "fiction" means right now: a structurally ambitious family drama, a reclamation of a classic, a slow character study, a sibling drama, and a book fast enough to double as a thriller. If you only read one kind of fiction, that range should help you find the one entry point that actually fits your taste, rather than assuming all five will land the same way.
How Often We Update This List
We revisit this page quarterly, dropping any title that stops feeling like a genuine "best of the year" pick a few months out and adding new candidates as our panel finishes them. If a book you loved isn't here yet, it may simply not have made it through two full independent reads on our panel — that's a backlog problem, not a verdict on the book.
The Case for Reading More Than One of These
These five books talk to each other more than a typical "best of" list's entries usually do. "My Friends" and "The Emperor of Gladness" both center on caregiving relationships that cross generational lines, though they arrive at very different emotional temperatures — one warmer and more redemptive, one more clear-eyed about mixed motives and unglamorous labor. "James" and "Intermezzo" both use structural inheritance — one reclaiming a canonical text, one working within the well-established sibling-drama tradition — to say something the source material or genre convention couldn't say on its own. Reading two or three of these back to back, rather than picking just one, surfaces those connections in a way a single read doesn't, and several panelists specifically recommended pairing "My Friends" with "The Emperor of Gladness" for exactly that reason.
Going Deeper Into Any One of These
We've published full-length reviews for the two titles our panel had the most to say about individually — My Friends by Fredrik Backman and The Emperor of Gladness by Ocean Vuong — if the short summaries above have you leaning toward either one and you want the fuller case for or against it before buying. We'll be adding standalone reviews for "James," "Intermezzo," and "Wild Dark Shore" as our panel finishes second reads on each, since our policy is not to publish a full review until at least two panelists have independently read a book in its entirety.
If none of these five quite match what you're looking for, tell us what you actually want more of — grief, humor, a specific setting, a specific structural trick — and check back on this page; we adjust the list based on reader questions we hear repeatedly, not just our own reading preferences.
A Word on Translated and International Fiction
All five books on this particular list happen to be originally written in English, which is partly a reflection of what our current panel gravitates toward and partly a gap we're actively working to close. International and translated fiction has produced some of the strongest literary work of the past several years, and we don't want a "best of" list that quietly excludes it by default. We're actively recruiting panelists with stronger reading histories in translated fiction specifically so future versions of this list represent a wider range of where fiction is actually being written right now, not just what's dominating English-language publishing conversation.
A Note on Format
All five of these are available in hardcover, paperback, e-book, and audiobook formats as of publication. For the two we've reviewed in full, our audiobook notes are in the individual reviews linked above. For the other three, our general guidance is that "Intermezzo" and "Wild Dark Shore" both work well in audio given their more plot-forward, dialogue-driven structures, while "James" — given its dense, deliberate prose style reclaiming a specific literary voice — is a book we'd lean toward reading in print or e-book first, saving audio for a second pass once you already know the text.
When We'll Revisit This List
Our next scheduled update is set for the start of next quarter, but we'll move that date up if a release lands that our panel unanimously agrees belongs here before then — that's happened before, and we'd rather publish an early update than sit on a strong recommendation for the sake of a fixed schedule. Subscribe to our newsletter via the homepage if you want a note when this list changes rather than checking back manually.
Updated for 2026
